• H.R. Giger's Dark, Surrealist Album Covers: Debbie Harry, Emerson, Lake

    From Open Culture@1:229/2 to All on Wednesday, July 22, 2020 17:03:49
    From: open.culture@belver.alt119.net

    The work of H.R. Giger is immensely powerful. Giger's amazing cover for Emerson, Lake and Palmer's album Brain Salad Surgery portrays a Gothic touch that could fit any heavy metal band at any time.

    -Jimmy Page

    Swiss artist Hans Rudolf Giger is a genre unto his own, single-handedly inventing the biomechanical horror of the 1980s with his designs for Ridley Scott's 1979 Alien, the film that launched him into international prominence and turned Debbie Harry on to
    his work. Meeting him the following year, the Blondie singer asked Giger to design the cover and music videos for her solo album, KooKoo.

    The album was panned, but the cover ended up being as prescient as the film that preceded it. It would "see its influence in films like Hellraiser, the rise of what was called the ‘modern primitive' movement, and help cultivate the dark masochistic
    character Harry would play in David Cronenberg's Videodrome," writes Ted Mills
    in an earlier Open Culture post. "It was a feeling that would flourish in the decadent ‘80s."

    The record was also, in a way, "a throwback to Giger's other famous record cover, the one for Emerson, Lake, and Palmer's Brain Salad Surgery" from 1973 (above). Ten years before Alien, Giger designed his first album cover, for a "proto-metal" band
    called The Shivers.

    Their 1969 Walpurgis, features what look very much like Alien's facehuggers. Giger had been having this nightmare for a long time. Years after these beginnings, due in large part to Alien and its sequels and the Debbie Harry cover, Giger became highly
    sought after by metal bands, from Celtic Frost to Danzig to Carcass.

    His work appears, however, on far more album covers than he would like. There have been "many small bands over the years," he writes on his site, "presumably
    fans of mine, who had appropriated my artwork for their album and CD covers," without getting
    permission. Giger himself has only created a few pieces specifically as album cover art, the last in 1989 for Steve Stevens' Atomic Playboys. "Of the approximately 20 records on which my artwork has been seen over the last 30 years," he writes, only a
    small number have been commissions. These include The Shivers, ELP, Harry, and Stevens.

    All the other covers-those officially sanctioned, in any case-come from work Giger "made for myself, many years before, which the bands, later, licensed for
    their own use after seeing them in my books." Though Giger himself is more of a
    jazz fan, his
    appeal to heavy metal is obvious. "Giger's style of adding a surrealist twist to mechanical and biological scenes," writes Allmusic, "often with twisted sexual undertones-was immediately identifiable," and immediately identified a band as something
    seductively taboo and possibly deadly.

    At least one use of his work got a band prosecuted. "Bay Area punks the Dead Kennedys included a poster of Giger's Landscape #XX, also known as Penis Landscape (the image depicted rows of erect phalluses in coitus), in the packaging of their 1985
    album Frankenchrist," writes Rolling Stone, "and were subsequently put on trial for obscenity."

    Those who would misuse his work and violate his copyright may also find themselves in court. "It will," he warns, "cost a lot more than if they had first contacted me, through my agent, to ask for permission."

    Related Content:

    When Debbie Harry Combined Artistic Forces with H.R. Giger

    The Giger Bar: Discover the 1980s Tokyo Bar Designed by H. R. Giger, the Same Artist Who Created the Nightmarish Monster in Ridley Scott's Alien

    H.R. Giger's Tarot Cards: The Swiss Artist, Famous for His Design Work on Alien, Takes a Journey into the Occult

    Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

    H.R. Giger's Dark, Surrealist Album Covers: Debbie Harry, Emerson, Lake & Palmer, Celtic Frost, Danzig & More is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of
    Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.

    http://feedproxy.google.com/~r/OpenCulture/~3/-WCQPQu0T1g/h-r-gigers-dark-surrealist-album-covers.html

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Open Culture@1:229/2 to All on Thursday, July 23, 2020 03:15:09
    From: open.culture@belver.alt119.net

    The work of H.R. Giger is immensely powerful. Giger's amazing cover for Emerson, Lake and Palmer's album Brain Salad Surgery portrays a Gothic touch that could fit any heavy metal band at any time.

    -Jimmy Page

    Swiss artist Hans Ruedi Giger is a genre unto his own, single-handedly inventing the biomechanical horror of the 1980s with his designs for Ridley Scott's 1979 Alien, the film that launched him into international prominence and turned Debbie Harry on to
    his work. Meeting him the following year, the Blondie singer asked Giger to design the cover and music videos for her solo album, KooKoo.

    The album was panned, but the cover ended up being as prescient as the film that preceded it. It would "see its influence in films like Hellraiser, the rise of what was called the ‘modern primitive' movement, and help cultivate the dark masochistic
    character Harry would play in David Cronenberg's Videodrome," writes Ted Mills
    in an earlier Open Culture post. "It was a feeling that would flourish in the decadent ‘80s."

    The record was also, in a way, "a throwback to Giger's other famous record cover, the one for Emerson, Lake, and Palmer's Brain Salad Surgery" from 1973 (above). Ten years before Alien, Giger designed his first album cover, for a "proto-metal" band
    called The Shivers.

    Their 1969 Walpurgis, features what look very much like Alien's facehuggers. Giger had been having this nightmare for a long time. Years after these beginnings, due in large part to Alien and its sequels and the Debbie Harry cover, Giger became highly
    sought after by metal bands, from Celtic Frost to Danzig to Carcass.

    His work appears, however, on far more album covers than he would like. There have been "many small bands over the years," he writes on his site, "presumably
    fans of mine, who had appropriated my artwork for their album and CD covers," without getting
    permission. Giger himself has only created a few pieces specifically as album cover art, the last in 1989 for Steve Stevens' Atomic Playboys. "Of the approximately 20 records on which my artwork has been seen over the last 30 years," he writes, only a
    small number have been commissions. These include The Shivers, ELP, Harry, and Stevens.

    All the other covers-those officially sanctioned, in any case-come from work Giger "made for myself, many years before, which the bands, later, licensed for
    their own use after seeing them in my books." Though Giger himself is more of a
    jazz fan, his
    appeal to heavy metal is obvious. "Giger's style of adding a surrealist twist to mechanical and biological scenes," writes Allmusic, "often with twisted sexual undertones-was immediately identifiable," and immediately identified a band as something
    seductively taboo and possibly deadly.

    At least one use of his work got a band prosecuted. "Bay Area punks the Dead Kennedys included a poster of Giger's Landscape #XX, also known as Penis Landscape (the image depicted rows of erect phalluses in coitus), in the packaging of their 1985
    album Frankenchrist," writes Rolling Stone, "and were subsequently put on trial for obscenity."

    Those who would misuse his work and violate his copyright may also find themselves in court. "It will," he warns, "cost a lot more than if they had first contacted me, through my agent, to ask for permission."

    Related Content:

    When Debbie Harry Combined Artistic Forces with H.R. Giger

    The Giger Bar: Discover the 1980s Tokyo Bar Designed by H. R. Giger, the Same Artist Who Created the Nightmarish Monster in Ridley Scott's Alien

    H.R. Giger's Tarot Cards: The Swiss Artist, Famous for His Design Work on Alien, Takes a Journey into the Occult

    Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

    H.R. Giger's Dark, Surrealist Album Covers: Debbie Harry, Emerson, Lake & Palmer, Celtic Frost, Danzig & More is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of
    Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.

    http://feedproxy.google.com/~r/OpenCulture/~3/-WCQPQu0T1g/h-r-gigers-dark-surrealist-album-covers.html

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)