Quoting Michael Loo to Nancy Backus on 02-01-19 03:17 <=-
I've traveled in circles beyond my achievementsIndeed. Envy is too strong a word for it, but I must admit an
and pocketbook for most of my life.
attraction for that sort of an existence... dunno as I'd really have
been all that comfortable with it in reality, but it does attract... :)
One enjoys what one can and hopes there's
more to appreciate than to endure.
Maybe... ;) If enough of the sharp edges get filed off.... ;)Though there have been equally memorableYes... then it might be more like a curse...
disgusting experiences.
The way memory files off the sharp edges,
not necessarily.
Sometimes when only some of them are lost,
the objectionableness is lost as well.
One can start with plain, and progress from there... :)Nothing at all wrong with plain... :)It was that soupcon of high-school dropoutismHmmmm... :)
that she got right (she actually didn't drop
out until William & Mary, where she "majored"
in contract bridge before running off to get
married or something).
Well, she married well, her kids didn't
starve, and now she's (perhaps under my
influence) started cooking real food.
It's very, very plain.
Ideally, there ought to be a mix.
Unless one is totally satisfied with plain
and there's no incentive to progress.
Mixed Vegetables (Sajur menir)For that matter, where did the water come from... ;) I'd figure the
[What sauce?]
sauce may have been generated from the onion and garlic (and whatever
they were browned in).... along with the cooking of the corn and spinach..... :)
It's easy to add or subtract water, as a
recipe requires.
True... it still makes at least negligibly better sense when seeing it staged, at least to me.... ;)formulation is, which is to be first, the wordsI prefer the music over the words, generally... A now long-gone morning announcer on WXXI used to play "opera without words" regularly... most
or the music. Strauss's answer, which I agree
with, was "Primo la musica, dopo le parole" -
i.e., the music first, then the words.
of it was quite listenable to... ;) I'll admit, though, that I do
enjoy opera a little better if I see it in person on stage, so that the story isn't lost in the screeching... ;)
Usually the story is negligible to laughable,
and the words fake meaningful commentary or
self-consciously witty, with frequent breaking
of the fourth wall. Clearly Mr. Hoffmannsthal
was a bit big for his britches.
I guess I'm too unvisual, and my suspension
of disbelief organ is defective.
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